
Okay, let's talk straight about William Faulkner's As I Lay Dying. You've probably heard it's a classic, right? Required reading. Maybe you saw it on a syllabus or some "Top 100 Novels" list. But let me tell you, this book isn't some polite tea party of a story. It's messy, it's brutal, it's confusing as all get-out sometimes, and honestly? It sticks with you like mud on a boot after a Mississippi storm. Reading Faulkner As I Lay Dying feels less like entertainment and more like an archaeological dig into the raw, ugly, strangely beautiful guts of human suffering and stubbornness. It's not an easy hike, but man, the view from the top is something else.
I remember the first time I cracked it open in college. Honestly? I nearly threw it across the room after Vardaman's "My mother is a fish" chapter. What on earth was Faulkner *doing*? It felt like literary chaos. But later, wrestling with it, something clicked. That journey the Bundrens make - hauling their dead mother's rotting corpse across the county because of a promise - it gets under your skin. Why would anyone write this? Why would anyone *read* this? That's what we're digging into today. Forget the dry academic lectures. Let's get into the dirt of this book.
What's This Whole "As I Lay Dying" Thing About Anyway?
At its skeleton, the plot of Faulkner As I Lay Dying is grimly simple. Addie Bundren, the matriarch of a dirt-poor farming family in fictional Yoknapatawpha County, Mississippi, is dying. Her family gathers around her bed. Before she kicks off, her husband Anse makes a promise: He'll bury her with her own people in Jefferson, a town miles away. Sounds straightforward? Ha! Not with *this* family, and not with Faulkner pulling the strings. The journey to Jefferson becomes this epic, absurd, grotesque pilgrimage.
Imagine this: A ramshackle wagon, Mississippi heat thick as soup, a coffin built right in the bedroom where Addie died (poor Cash sawing away while she breathes her last), and the body... well, decomposition waits for no man. They face floods that wash out bridges, a fire, broken legs, buzzards circling overhead like dark omens, and enough dysfunction to fill a psychology textbook. It’s Southern Gothic at its most unflinching.
The real magic, though, isn't just in what happens. It's in how Faulkner tells it. Faulkner's As I Lay Dying uses a rotating cast of narrators – fifteen different voices! You get inside the heads of just about every Bundren kid, Anse himself, neighbors, even the doc who comes too late. Each chapter is a short burst, labeled with the character's name, giving you their raw, unfiltered, often unreliable perspective. One minute you're in Darl's unsettlingly poetic and insightful mind, the next you're trapped with Dewey Dell’s desperate panic over an unwanted pregnancy, then you're jarred by Vardaman's fragmented, traumatized child-logic. It’s like channel surfing through a family's collective nervous breakdown.
The Core Questions Driving the Bundrens (and Readers)
Why endure this ordeal? For each Bundren, Jefferson means something different, far beyond just burying Ma:
- Anse: New teeth. Seriously. That's his driving motivation. He also vaguely wants to fulfill his promise, but those teeth... they haunt him.
- Cash: The dutiful carpenter son. He built the coffin "on the bevel." His journey is about seeing his craftsmanship delivered properly.
- Darl: The "queer," insightful one. He sees the madness of it all. Does he even want to reach Jefferson? Or is he observing the inevitable train wreck?
- Jewel: Addie’s wild, illegitimate son (though it's never stated outright). His fierce love for her is volcanic, expressed through his bond with his horse – his true prize.
- Dewey Dell: Pregnant and desperate. Jefferson means a chance to find an abortion, a secret she carries silently.
- Vardaman: The youngest, traumatized. He drills holes in the coffin so his "fish" mother can breathe. Jefferson is just part of the confusing nightmare.
See? Burying Addie is almost the excuse for the trip. Everyone’s got baggage, literally and figuratively.
Why Faulkner's As I Lay Dying Feels Like a Punch in the Gut (And Why It Matters)
Look, Faulkner wasn't writing a cozy mystery. As I Lay Dying confronts head-on the stuff polite society sweeps under the rug:
- Death & Decay: Faulkner doesn't flinch from the physical reality of death. The smell, the buzzards, the river water soaking the coffin... it's visceral. He strips away romanticism.
- Suffering & Absurdity: The journey is pure hardship, often self-inflicted or born of stupidity. Cash's broken leg, set in concrete and bouncing on the wagon? Pure agony and absurdity mixed. Life isn't fair or logical.
- Family Dysfunction: This isn't the Waltons. Resentment, secrets (Addie's affair with Whitfield, Dewey Dell's pregnancy), favoritism (Addie's clear preference for Jewel), and sheer selfishness (Anse!) tear at them. Yet, they persist together. Why?
- Isolation & Failed Communication: Those fifteen narrators? They highlight how utterly alone each character is, trapped in their own skulls, unable to truly connect or articulate their pain. Darl sees too much, and it destroys him.
Reading Faulkner As I Lay Dying forces you to sit with discomfort. It refuses easy answers or sentimental endings. The final scenes in Jefferson, with Anse getting those damn teeth and introducing a new "Mrs. Bundren" almost immediately? It’s chilling, darkly comic, and bleakly honest. Life grinds on, selfishness often wins, and promises can be hollow. Not exactly uplifting, is it? But it feels true to the messy core of human existence.
Honestly, sometimes Faulkner's obsession with the grotesque annoys me. Does Cash's leg *really* need to be mangled *that* badly? Doesn't it tip into cruelty? But then I remember – this relentless focus strips away illusions. It forces us to see.
Cracking the Code: Faulkner's Wild Narrative Style and Themes
Okay, let's tackle the elephant in the room: Faulkner's writing in As I Lay Dying is notoriously difficult. Those long, winding sentences. The shifting perspectives. The stream-of-consciousness that dives deep into confused or disturbed minds. It’s not passive reading; it demands active participation.
Why does he do this?
- Subjectivity is King: There is no single "truth" in this story. Only perspectives – overlapping, conflicting, incomplete. Darl sees Jewel's obsession with his horse. We see Jewel's perspective later and feel his desperate love for Addie. Both are "true" for the character in that moment.
- Internal Reality: Faulkner cares more about what's happening *inside* his characters' heads than perfectly describing the landscape outside. Vardaman associating his dead mother with the fish he caught that day isn't logical, but it's psychologically real for a traumatized child.
- The Weight of the Past & Place: Yoknapatawpha County isn't just a setting; it's a character. The poverty, the isolation, the rigid social codes, the legacy of the South – they press down on the Bundrens. Their journey is almost impossible because of *where* they are and *what* they come from. Faulkner captures that oppressive atmosphere.
- Endurance & the Human Spirit: Despite the darkness, there's a grim persistence. They endure the flood, the fire, the broken bones, the stench. Cash painstakingly lists the reasons his coffin was built right. Jewel rescues the coffin from the river and the fire with insane, almost supernatural bravery. It’s not noble. It’s often stupid. But it *is* endurance.
Key Symbols You Can't Miss
- The Coffin: Addie's literal box, Cash's craft, but also the burden of death, the promise, the family's shared (and isolating) purpose. Its journey is the novel's spine.
- The River: A barrier, a baptism (of sorts, though corrupted), a force of nature washing away illusions. Crossing it nearly kills them and ruins the coffin.
- Jewel's Horse: Represents Jewel's wild spirit, his passion, his connection to Addie (his sacrifice for her). It’s his prized possession, fiercely loved and defended.
- Fish (Vardaman): Symbolizes Vardaman's incomprehension, his attempt to make sense of death by linking it to something he understands (catching and gutting the fish). "My mother is a fish" is heartbreaking, not nonsense.
- Buzzards: Constant reminders of inevitable decay, the natural world claiming its due, circling the grotesque spectacle of the journey.
Getting tangled in Faulkner's prose feels like wrestling with barbed wire sometimes. There's a sentence in Darl's section describing Jewel and the horse that must be 300 words long! It's easy to feel lost. My advice? Don't panic. Let the voices wash over you first. Go back later for the intricate details. The emotional impact hits you even if you don't parse every clause initially.
Meet the Bundren Bunch: A Family Portrait You Won't Forget
Understanding each character's motivation is crucial to navigating Faulkner As I Lay Dying. Here's the lowdown on this unforgettable, deeply flawed family:
Character | Key Traits & Motivations | Defining Moment |
---|---|---|
Anse Bundren | Lazy, selfish, hypochondriacal, obsessed with getting new teeth. Driven by the promise to bury Addie in Jefferson... and his own desires. Embodies passive decay. | Using Dewey Dell's abortion money and Cash's saved money (from selling his graphophone!) to buy teeth, then immediately replacing Addie with a new wife. |
Addie Bundren | The dead mother. Her single, powerful chapter reveals her resentment of motherhood, her loveless marriage, her affair with Whitfield, and her nihilistic philosophy ("words are no good"). Her presence haunts the entire journey. | Her monologue about words being "just shapes to fill a lack" and her deliberate isolation even within her family. |
Cash Bundren | The eldest son. A skilled, meticulous carpenter. Stoic, patient to a fault, deeply practical. Motivated by duty and craftsmanship. | Listing the 13 reasons he built the coffin on the bevel while enduring agonizing pain from his broken leg. |
Darl Bundren | The most introspective and perceptive (many say Faulkner's voice). Develops an unsettling detachment and possible clairvoyance. Sees the absurdity and horror clearly. | His narration of Addie's death without being present ("I cannot love my mother because I have no mother"). His decision to burn Gillespie's barn. His descent into madness. |
Jewel Bundren | Intense, fiercely loyal (to Addie), violent, defined by his relationship with his spotted horse. Addie's illegitimate son (implied). Motivated by primal love and protecting Addie's coffin. | Diving into the flood to save the coffin, rescuing it desperately from the burning barn. |
Dewey Dell Bundren | The only daughter. Pregnant by Lafe and desperate for an abortion. Motivated solely by finding a solution in Jefferson. Feels isolated and burdened. | Her interactions with the sleazy drugstore clerk in Jefferson, hoping he can "fix" her, only to be exploited. |
Vardaman Bundren | The youngest son. Traumatized by his mother's death. Understands the world through fragmented, sensory associations ("My mother is a fish"). Represents innocence shattered. | Drilling holes in Addie's coffin so she can breathe, linking her death to the fish he caught. |
Watching this family interact is like watching a slow-motion car crash fueled by poverty and unspoken grief. Darl understands Anse's selfishness and the futility, but his insight isolates him. Jewel's love is pure fury, expressed through action, not words. Cash tries to build order in chaos. Dewey Dell is drowning in her fear. Vardaman is lost. Anse just wants teeth. It’s a masterclass in showing, not telling, character.
Jewel? He fascinated me. All that silent rage, that devotion expressed through violence towards the horse and heroic acts for the coffin. Makes you wonder what Faulkner was saying about love that can't speak its name. And Darl... oh, Darl. He sees too much, understands too deeply, and it breaks him. Society locks him away because his truth is unbearable. That stings.
The Road Trip from Hell: A Chapter Breakdown Guide
Keeping track of the journey in Faulkner As I Lay Dying is key. Faulkner jumps around in time and perspective, so here’s a chronological-ish guide to the main events:
Location/Phase | Key Events | Significance & Challenges |
---|---|---|
Bundren Farm (Addie's Death) | Addie dies. Cash builds coffin outside her window. Vardaman drills air holes. Family gathers. Anse secures promise to bury in Jefferson. Journey begins. | Sets the grim premise. Introduces family dynamics and simmering tensions. Cash's diligence vs. Vardaman's trauma. |
River Crossing | The bridge is washed out. They attempt to ford the raging river. Wagon overturns. Coffin is rescued by Jewel and his horse. Cash's leg is broken badly. Mules drown. | First major disaster. Loss of essential mules. Cash's debilitating injury. Coffin soaked, accelerating decay. Jewel's heroic devotion revealed. |
Gillespie's Farm | Family shelters at Gillespie's barn overnight. | Brief respite before another catastrophe. |
The Barn Fire | Darl sets fire to Gillespie's barn, seemingly to destroy Addie's decaying body and end the journey. Jewel heroically rescues the coffin again, badly burned. | Darl's decisive, destructive act against the madness. Jewel's repeated sacrifice. Darl's sanity visibly fractures. Creates debt owed to Gillespie. |
Mottson | They stop in the town of Mottson. The smell is unbearable. Townspeople force them to buy lime to cover the coffin. Dewey Dell seeks an abortion remedy at a pharmacy but is exploited by the clerk. Cash suffers immensely in the wagon. | Social ostracization due to the smell. Dewey Dell's desperation and victimization. Cash's agony intensifies. Anse buys cement to set Cash's leg (a terrible decision). |
Approach & Arrival in Jefferson | Grueling final push. Buzzards circle constantly. Arrival in Jefferson. | Physical and social endurance pushed to the limit. The grotesque spectacle culminates. |
Jefferson (Burial & Aftermath) | Addie is finally buried. Anse uses money earned from selling Jewel's horse (without his consent!) and Dewey Dell's abortion money (taken by Anse) to buy new teeth. Cash sees a doctor too late. Darl is apprehended for arson and sent to the asylum in Jackson. Anse immediately acquires a new wife (the "duck-shaped woman"). | "Promise" technically fulfilled. Stark consequences: Cash crippled, Dewey Dell trapped, Darl institutionalized, Jewel robbed of his horse. Anse's ultimate selfishness prevails. |
Looking at it laid out like this... it's relentless, isn't it? Faulkner piles on the misery. Yet, each disaster reveals character. That river crossing? Shows Jewel's raw courage. The fire? Shows Darl's breaking point and Jewel again. Mottson? Shows society's revulsion and Dewey Dell's vulnerability. It's brutal, but every step tells you something.
That cemetery scene feels hollow. After all that suffering, Addie's just... buried. It's over. And life, represented by Anse's immediate remarriage, just rolls brutally onward. It leaves you empty. Is that the point? That death and promises are just... things that happen? Feels bleak.
Why Should You Bother Reading As I Lay Dying? The Real Payoff
Okay, it's hard. It's depressing. It's weird. Why put yourself through reading Faulkner As I Lay Dying?
- It Stays With You: Forget disposable stories. The Bundrens, their journey, those voices – they lodge in your brain. Years later, you'll recall Vardaman's fish or Jewel charging into the fire or Anse's teeth.
- Masterclass in Perspective: Faulkner shows you how perspective shapes reality unlike anyone else. Experiencing the same event through Darl's insight, Dewey Dell's fear, and Vardaman's confusion is revolutionary.
- Unflinching Look at Humanity: It doesn't sugarcoat. It shows selfishness, endurance, love twisted into obsession, resilience born of ignorance, the absurdity of existence. It’s honest, even when honesty is ugly.
- Innovative Form: The fragmented, multi-voice narration was groundbreaking then and still feels fresh and challenging. It changed the novel.
- Understanding the American South (and Humanity): It’s a cornerstone of Southern Gothic and American literature. It captures a specific time, place, and poverty with devastating clarity, but its themes – family, death, suffering, communication – are universal.
Is it a fun beach read? Heck no. Is it rewarding? Absolutely. Like climbing a mountain. The view from the top is unforgettable, even if the climb scraped your knees. You come away changed, seeing the world, and people, differently.
Practical Tips for Tackling Faulkner's As I Lay Dying
Want to survive (and maybe even enjoy) wrestling with Faulkner? Here's what worked for me and others:
- Embrace the Confusion (Initially): Don't expect to understand everything on the first page, or even the first chapter. Let the voices and the atmosphere sink in first. Focus on *feeling* the situation before dissecting every sentence.
- Use the Chapter Titles: They tell you whose head you're in! Crucial for navigating the shifts. When you get lost, check the title.
- Keep Track of Key Events: Refer back to that journey table above! Knowing *where* they are physically helps anchor the swirling perspectives.
- Focus on Characters: Pick one character per read-through to follow closely. Next time, focus on another. Their individual journeys are compelling.
- Don't Fear the Notes (But Don't Rely Solely on Them): A good annotated edition or online guide can help decode obscure references or complex sentences. But don't let it replace your own reading experience. Struggle a bit first.
- Read Aloud: Faulkner's prose has a rhythm, especially the interior monologues. Hearing it can unlock meaning and flow.
- Accept the Grotesque: This isn't sanitized fiction. The smell, the decay, the suffering – it's intentional. Lean into the discomfort; it's part of the message.
- Discuss It! Talking about it with others is invaluable. What did Darl *really* see? Why did Anse do *that*? Different perspectives help immensely.
My first attempt? I quit after fifty pages. Felt like wading through molasses. I came back a year later, decided to just ride Darl's weird insights, and suddenly... things clicked. The confusion became part of the point. Stick with it. Give yourself permission to be lost sometimes.
Digging Deeper: Your Faulkner As I Lay Dying Questions Answered
Let's tackle some common reader questions head-on:
Is Faulkner's As I Lay Dying based on a true story?Not directly on one specific event, no. However, Faulkner likely drew inspiration from anecdotes he heard growing up in Mississippi. He reportedly mentioned hearing about a poor family making an arduous journey with a coffin during a flood. More importantly, he poured his deep understanding of the people, the landscape, the poverty, and the social tensions of the rural South into it. The *emotional* truth, the rawness of the experience, feels intensely real, even if the exact plot is fictional. Yoknapatawpha County, though imaginary, is built on the very real soil of Lafayette County, Mississippi. So, while the Bundrens aren't real people, the world they inhabit and the kinds of struggles they face absolutely were.
Darl's "insanity" is complex and debated. He possesses an unsettling, almost supernatural insight and detachment. He narrates events he couldn't physically witness (like Addie's death). He understands the grotesque absurdity of the journey and Anse's selfishness better than anyone. His setting fire to Gillespie's barn is both an act of mercy (to destroy the decaying body and end the farce) and an act of nihilistic destruction borne from his profound understanding of the hopelessness. Society (represented by his family and the law) labels him insane because his perception of truth is too uncomfortable, too disruptive. He sees the void, and it breaks him. At the end, he's taken away by authorities to the state asylum in Jackson, laughing hysterically as he's wrestled into the train car. It's a horrifying moment – the seer silenced because his vision is unbearable.
This is Faulkner at his most brilliant and challenging. Addie gets one chapter, titled "Addie," placed well after her death and burial. This single chapter is explosive. It reveals her internal life: her profound disillusionment with words ("sinister, shape[s] by which the living gorge themselves on the dead"), her loveless marriage to Anse, her passionate affair with Reverend Whitfield (resulting in Jewel), her resentment of the children she never truly wanted (except perhaps Jewel), and her nihilistic worldview. It reframes the entire novel. We see the source of the family's dysfunction – her emotional isolation and rejection of conventional bonds. We understand Anse's inadequacy and Jewel's special status. Her philosophy explains the communication breakdown plaguing the family. It's not a flashback; it's her voice speaking from beyond, laying bare the rotten foundation.
The title comes from a line in Homer's The Odyssey, spoken by Agamemnon in the underworld: "As I lay dying, the woman with the dog's eyes would not close my eyes as I descended into Hades." It immediately connects Addie's story to epic journeys and themes of death and betrayal. Within the novel, the phrase itself isn't spoken by any single character as a complete sentence. However, it perfectly encapsulates Addie's perspective – she narrates her own chapter *as* she lay dying, reflecting on her life and observing her family preparing for her death. The title focuses us on her experience as the central, haunting presence throughout the journey.
Redemption? Not in any traditional, feel-good sense. Addie is buried, but the cost is devastating: Cash is permanently crippled (thanks to Anse's stupid cement cast), Dewey Dell is still pregnant and exploited, Jewel loses his beloved horse without consent, and Darl is carted off to an asylum. Anse emerges triumphant in his selfishness, getting his new teeth and a new wife almost instantly. There's a bleak, almost darkly comic finality to it. Any "victory" belongs solely to Anse.
Where's the hope? Maybe in the sheer persistence of life. They endured. Cash might still build things. Vardaman might recover some semblance of normalcy. Jewel might rage on. Life, however compromised, grinds forward. Some readers find a grim dignity in Cash's stoicism or Jewel's fierce, protective love. But Faulkner isn't offering easy grace. The hope, if it exists, is in the reader's recognition of the human condition laid bare – an endurance that persists even in the face of suffering and absurdity. It’s not a hopeful book, but it’s an honest one. That honesty can feel like its own kind of bleak redemption.
Looking back at that ending still leaves me cold. Anse wins. The selfish, lazy hypocrite gets everything he wanted. Cash is broken for life, Darl's mind is shattered, Dewey Dell is doomed. Where's the justice? Where's the meaning in all that suffering? Faulkner doesn't give us that comfort. He forces us to sit with the discomfort of a world where promises can be hollow gestures and endurance doesn't guarantee reward. Maybe the "point" is seeing that ugly truth clearly, without the filters of sentimentality. It’s a tough pill to swallow. But it’s a pill worth taking, just once, to understand the depths literature can plunge.
So yeah, Faulkner As I Lay Dying isn't for the faint of heart. It's a demanding, disturbing, and ultimately unforgettable plunge into the heart of darkness within a struggling family and the vast, indifferent landscape of the American South. It challenges how stories are told and what truths they can reveal. If you're willing to get your hands dirty, it's a journey worth taking. Just be prepared for the smell of decay and the echo of Darl's unsettling laugh long after you close the book.
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